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Current Issue
No. 52
2024

2023 Google Scholar h5-index: 3
ISSN: 1091-711X E-ISSN: 2575-7338

Established in 1992, Thresholds is the annual peer-reviewed journal produced by the MIT Department of Architecture. Each independently themed issue features content from leading scholars and practitioners in the fields of architecture, art, and culture. The Thresholds advisory board, composed of internationally recognized figures in various fields of art culture, drives the development of each issue through intellectual support and the pursuit of high-quality submissions from fine arts, design, graphics, media arts and sciences, film, photography, and more.

Current Issue

Disappearance is an ambiguous term—an occurrence, a process or an outcome. While a disappearance can stay within the binary state of visibility to invisibility, it can also make something become less common through a slow process towards non-existence. If disappearance itself is a fascinating subject, what enables something to survive after its raison d’être disappears may be just as intriguing. Scientific determinism tells us that, materially speaking, nothing actually disappears. The law of mass conservation establishes that while matter can neither be created nor destroyed, it can be rearranged in space. But this scientific truth becomes convoluted when the lived spatial and visual experiences of humans are accounted for. How can these two opposing views exist—or not exist—within the same world? 

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